Perhaps an expensive, twisty conceptual thriller with a big, abstract title wasn't the best way for Christopher Nolan's cinematographer to distinguish himself as a director. Unlike his mentor, Pfister can't keep the silliness from going viral, as professor Depp's uploading of his consciousness provokes technophobic panic, existential questioning and way-cool special effects. It's a breakthrough in science-nonsense.
Continue reading...Source: http://www.theguardian.com/film/2014/apr/26/this-weeks-new-films
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