Paul Dano makes So Yong Kim's story of a deadbeat rocker with marriage problems his own
A tremendous performance by Paul Dano is the central virtue of this surprisingly tender film about a separated couple and their fight over their small daughter. As a deadbeat dad, Dano's Joby Taylor is an unusual one: a tattooed and nail-varnished rocker, inarticulate, self-obsessed and heartbreakingly vulnerable all at the same time. Taylor arrives in a snow-covered small town to sign divorce papers, but has a last-minute pang for the six-year-old it dawns on him he'll lose access rights to. Director So Yong Kim tells this story with flashes of sly humour, as well as a keen eye for the wintry landscapes; and her low-key, detached camera style makes for a beautifully unforced naturalism. Jon Heder, unrecognisable from Napoleon Dynamite, is good as Taylor's sensible lawyer – but this is Dano's film, and he gives it his all.
Source: http://www.guardian.co.uk/film/2013/feb/14/for-ellen-review
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